Below are the first three paragraphs (very much rough drafts) of a project I have been working on for quite some time now called The Language of Fire.
In a world that had become shades of grey to me, the ballroom gleamed with color. As guest after guest stepped daintily down the marble stairs, I stared around in wonder, captivated by the beauty of it all. Each dress was a different color of shimmering fabric, floating around the dancer who flaunted it. The room seemed alive, everything moving in a blur of glitter. No one noticed me—not in such a world as this. This was to my advantage. When the dark man came, he did not see me either.
He arrived last, after the first dance had already finished and the second had begun, so that only those without partners witnessed his entrance. What set him apart was not his gloomy attire; rather it was his firm manner of moving. He looked very solid, while the dancers in the gaudy dresses seemed about to leave the ground. Everything he touched appeared less frivolous, and every eye that met his changed in some way.
Someone dropped a glass on the other side of the expansive room. The harsh tinkling of shattering crystal fit the dark man so perfectly that I shivered. When I turned back to look for the man, I could not find him. I expected to feel a lighter air about the ballroom now that his presence no longer weighed on the place, but nothing had changed. It was as if his body had gone, but his shadow still lingered. He had made the illusion hollow for me, and, without him to observe, I no longer found intrigue in the ball.